Most of what we’ve talked about thus far has been design theory. Theory’s good, but it can only take us so far toward understanding why some ideas work—and others don’t—in a web site’s design. In my opinion, examples and practice are much more valuable. Most academic graphic design programs include a curriculum that’s rich in art history and fine art. These classes provide a great foundation for an understanding of graphic design from an art perspective, but they do little to prepare you for the specific challenges you encounter when you take your designs to the Web.
Pablo Picasso once said, “I am always doing that which I cannot do, in order that I may learn how to do it.” While I like to take that approach when designing a new web site, it’s important first to know what you can do. When you look out across the Internet, you can see that the possibilities for layout really are endless. But, as I said before, only a few of those possibilities make good design sense. That’s why we see certain configurations of identity, navigation, and content over and over again.
In this section, we’ll talk about a few of the most common layouts, and explore some of their advantages and disadvantages.
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